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Japan Tour Diary, Part 8

Sunday 15th of February Tokyo.

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We say goodbye to Marvin’s dudes. Hopefully they’ll be over to Dublin soon to play. They’re more or less off straight to the airport to go home. We crawl into the van and Kazuto drives us back to his house. En route I keep falling asleep and waking up as I drop my phone on the floor in a loop. I also fall asleep alternately on Brian’s and Donnchadh’s shoulders. Thankfully I don’t drool on either occasion. We stumble to bed and I sleep solidly until 2pm.

I get up bleary eyed and have a Japanese style bath – a hot shower to clean oneself with soap followed by a soak in a hot bath, completed by a cold shower. This is very relaxing! Kazuto’s Mum and Dad lay out an amazing lunch and after we give them a present of a Cactus plant which the lads bought the previous day when I was in a jocker. Soon after we say our thank yous and goodbyes. Kazuto drives us back to the same hotel in Kashiwa City, where we will spend our last night. We cannot get over how generous Kazuto and his folks have been throughout the tour.

Its around 6pm by the time we’re checked in. We say goodbye and thank you to Kazuto. Hopefully we’ll see him in Dublin soon.

We wander off round the edge of Chiba and Kashiwa city for a stroll. All we see is gambling places and dodgy brothels with “Information charges” listed outside. Ultimately we buy a load of take out food and beer from the 7-11 near the hotel and crash out. “Bringing out the Dead” is on TV in English. It’s a great movie and I have a new appreciation for Nicholas Cage’s insomniac ambulance driver character. Soon after I crash out and sleep solidly for 9 hours.

Monday 16th of February.

Keita arrives at the hotel door around 10am. We’re already packed and ready to go. He’s planned a day of site seeing and shopping round Tokyo. After parking in Shinjuku we head to a few electronics stores. We get a call from Nez, who is now back home in Sapporo. He congratulates us on going the distance and reckons its been a job well done. Again, we’re too tired to get any real perspective on how it all went.

We head to AIRS, a legendary Tokyo store in Shinjuku where bootleg DVDs and videos have been sold to generations of Tokyo music fans. The AIRS guys find out we’re in a touring band and get our picture and autographs and give me a copy of a DVD from Italian prog rockers Area. Maybe our picture will wind up on the wall with Metallica? Either that or it will wind up covering the catflap! 

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Later we wander round some cool guitar shops and head to the legendary Disc Union, a massive collection of independent records shops, where I buy the mother-load of 70’s Japanese experimental music -  Flowers Travellin’ BandTaj Mahal Travellers and Les Rallizes Denudes to name a few. I also buy records from the Pogues, Dinosaur Jr and A Place to Bury Strangers. We could spend a few days here!

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Finally we head to a beautiful Buddhist temple in the centre of Tokyo. It is surrounded by a forested park and is somehow secluded and quiet despite being bang in the middle of Tokyo. I buy a few beautiful good luck charms as presents for the folks back home and we offer a prayer by writing it on a small wooden plaque to be hung with thousands of others in the temple. 

Tired and all shopped out, it’s time for us to go to the Airport. Keita drops us off at departure and helps us with the baggage to the plane. What a legend! We joke that we have become totally dependent on him as tour manager and may not survive on our own! We say our goodbyes and head through the security gates. Keita will be back in Dublin a few days after us so we’ll catch up then. Keita has been an invaluable help, saving so much time and effort for us, always ready to do whatever needs to be done to get us onto the next gig. I reckon another week of this tour and we would have been entirely dependent on him in “Spinal Tap”-esque fashion!

Our flight leaves around 9.40 at night. We hit Brian’s herbal sleeping pills and they work a charm. 14 hours later we arrive in Charles De Gaul airport at 4am. Nothing is open and we wind up stuck for an hour waiting for a bus to another terminal.

Tuesday 17th of February

Soon we are on a relatively short flight back to Dublin. Deliriously tired, we are looking forward to crashing out at home. There is a panic when we land around 8am where a passenger gets an awful altitude headache upon landing in Dublin. He passes out and the crew call the emergency services to meet us upon landing. Five minutes later and he seems to be coming round and we all leave the plane. Upon reclaiming our baggage we find that my guitar has gone AWOL. I’m too tired to panic or get upset. It arrives in Dublin later that day and is delivered out to my house, fair dues!

We clamber into my car out in the long term parking and after a ropey drive home I drop each of the lads off one by one until finally I stumble in the door of own house. Its 11am. Finally I fall into a deep, deep sleep.

Irish Examiner (USA) review

Our debut album has been included in the best Irish albums of 2008 in American newspaper The Irish Examiner. Full review:

Music, like life in general, must evolve if it is to flourish and Irish traditional music is no different to any other genre. So it was that Planxty gave purists palpations even as they breathed life into a dying genre, while The Pogues induced kiniptic fits in many traditionalists two decades later, yet goodness knows how many young people they inspired to follow in their steps. Essentially the brainchild of Allen Blighe, The Spooks’ may not have earned the right to be counted among such names just yet, but this is as vital and progressive an Irish traditional album as there has been in the past decade, overflowing with ideas and experimental in a manner that few have ever been brave enough or - crucially - talented enough to take on. Fusing elements of trad, folk, psychedelic and full-on rock, the band has succeeded in creating an album that almost perfectly captures the Ireland of today, which struggles to define itself, clutching desperately to its past even as it embraces a future that appears startlingly different. It is dark, it is challenging, it is teeming with innovation and guile, but most of all, it is a thing of utter beauty that borders on the visionary.

Japan Tour!

Spook Japan Poster

We’re off to Japan next week to do a 5 date tour sharing stages with Marvin’s Revolt from Denmark and our fellow Transduction Records label mates LITE.

Full schedule:

10/02/09 - Drunker’s Stadium, Kashiwa, Chiba (with Marvin’s Revolt, Clean of Core & Deepsea Drive Machine)
11/02/09 - Club Rock’n'Roll, Nagoya, Aichi (with Marvin’s Revolt & LITE)
12/02/09 - Fandango, Juso, Osaka (with Marvin’s Revolt & LITE)
13/02/09 - O-Nest, Shibuya, Tokyo (with Marvin’s Revolt & LITE)
14/02/09 - Lush, Shibuya, Tokyo (with ZKurukurucrew & 9dW)

期待のアイリッシュ・バンド、ザ・スプーク・オブ・ザ・サーティーンス・ロック待望のジャパン・ツアーが2月に敢行される。

ザ・スプーク・オブ・ザ・サーティーンス・ロックは、アイルランドはダブリンの音を奏でるバンドである。そのバンド名は幽霊に取り憑かれた運河の水門にまつわる古い詩の一節に由来し、伝統的なアイリッシュ・フォークの中にサイケデリック、プログレ、ポスト・ロックなど様々な音楽的要素を取り込んでいる。時にはソロの弾き語りで、時にはアコースティック・トリオで、そして時にはフルバンド編成で…スプークは独自の創造性を駆使し、馴れ親しまれたサウンドを革新的に、古い音楽を新しく、そしてローカルなサウンドを世界的なスケールを持った音に変えていく。

これまでに、アイルランド国内各紙でアルバム・オブ・ザ・イヤーに輝いた傑作デビュー・アルバム(セルフ・タイトル)をトランスダクション・レコードよりリリースし、国際的にも名高いエレクトリック・ピクニックやハード・ワーキング・クラス・ヒーロー・フェスティバルなどといったイベントにも出演する傍ら、地元で精力的なライブ活動を行っている。

伝統的なフォーク・ミュージックを、大気を低く唸らせるようなサイケデリック・ロックに変えながら、アレン・ブライ(ヴォーカル、ギター、バンジョー)、ドニカ・ホーイー(ギター)、エンダ・ベイツ(ベース)、ブライアン・オヒギンズ(ドラム)の4人は焼き付くように美しい色彩豊かなケルティック・サウンドを創造している。

アルバムに収録された『ヘアー』や『ピムリコ』のような曲では、アイルランドの歴史的背景にもとづいた「裏切り、幻滅、愛国心、失われた信仰」などといったテーマの中に強い寓意性を垣間見ることができる。

他にも代表曲といえる『パルチザン』では、イタリアのゲリラ活動”パルチザン”を思い出させる一方で、マケドニア・フォークからの音楽的影響も見られる。また、叙事的な最終曲『ラグド・ロック』では、アイリッシュ・トラッドの伝統的歌唱法であるシャーンノス唱法が歪みを帯び、徐々にフィードバックのハウリングに埋もれていきながらクラウト・ロック的な幻覚状態へと発展していく。まさに締めくくりに相応しい、劇的な音の旅である。

Spook live upstairs in Whelans

Happy Christmas everyone!

We’re playing our first show of 2009 upstairs in Whelans Friday January 2nd. Doors 9pm, €8 entry. Support will be confirmed very soon. More details at the Whelan’s website